Paragraph



A paragraph is a unit of writing that deals with a particular point or idea, consisting of one or more sentences. Paragraphs are good, and you should use them along with proper spelling, punctuation, grammar, and capitalization in your fanfiction.

However, paragraphing in narrative prose is a tricky subject. Unlike academic writing, story-writing has few rules about how creating paragraphs should be done. The only really solid rule is that a story should be organized into paragraphs, because discreet units of text are more approachable and easier to follow than a single, unbroken wall o' text (see image). How to offset each new paragraph and when to start a new paragraph, though, is subject to variation depending on the medium and the author's style and purpose.

How to Offset Paragraphs
Paragraphs are typically offset typographically in one of two ways:


 * 1) Indenting the first line, typically by a width of one em.
 * 2) Inserting a line of whitespace by means of a hard return (i.e. hitting "Enter" twice on the keyboard).

The former is preferred in printed works, but the latter is preferred in digital word processing and online. You must use one, whichever you choose, if you don't want your readers to run screaming from your story. You can also combine the two, but this is unnecessary and not commonly done.

By Purpose
Stories utilize different styles of prose for different purposes. There are roughly five styles commonly used:


 * Narration - details the events of the story, showing sequences of cause and effect.
 * Dialogue - details the verbal and non-verbal communication between characters.
 * Action - details fast-paced, tightly focused events, sometimes with dialogue, such as in a fight scene or sex scene.
 * Description - gives sensory detail about an important subject, such as a character or setting.
 * Exposition - gives facts about the setting, characters, etc., that cannot be shown otherwise, such as historical information.

You should almost always start a new paragraph when you switch to and from dialogue. This is so nearly a hard rule that you will rarely find exceptions to it.

It is usually a good idea to start a new paragraph when you switch between any of the other styles, too, though sometimes elements of one style may appear in a paragraph largely focused on another. For instance, weaving descriptive details throughout the story is generally considered more elegant than dumping them all into one paragraph and leaving the rest of the text barren, and background information on the characters and setting may be more palatable sprinkled throughout the story than dished out in heaping infodumps.

By Subject
Even if you maintain the same purpose, it is usually a good idea to start a new paragraph when you switch to a new subject.

In narration, the subject of one paragraph should be the cause (or causes) that lead to a particular effect (or effects). When you begin a new sequence, begin a new paragraph. The same goes for action scenes, which must also follow the rules for dialogue if your characters are talking while doing other things.

Always begin a new paragraph when you begin a line of speech or switch between one speaker an another in dialogue. Note that this includes non-verbal communication, such as gestures, facial expressions, and other physical acts. In a dialogue sequence, it is often best to group a character's speech and actions together, separate from each other character. Inserting one character's actions into another character's paragraph of dialogue can lead to confusion about who is doing and saying what, so it is best avoided to ensure that your writing is clear.

You may wish to start a new paragraph when you begin to describe a new setting, character, or item, or a new feature of the same if you're going into great depth about it. If doing so would result in lots of short paragraphs, though, it may be best to group them together.

Whole paragraphs of exposition should be used sparingly. If you feel the need to emulate Frank Herbert or Victor Hugo, however, definitely break your exposition into smaller chunks to avoid frightening your readers off before they even start reading.

Paragraph Length
Paragraphs may consist of any number of sentences&mdash;you needn't agonize over sticking to the "three to five" rule you might have learned in school&mdash;and may be short or long. Short paragraphs may be used to make a point, mark a transition, or quicken the pace of the narrative. Too many of them, however, makes for choppy reading and may indicate a lack of development. Long paragraphs may suggest seriousness and depth, but paragraphs that are too long start to look like walls o' text and may not hold the reader's attention. Paragraphs that discuss a single subject in great detail may need to be broken down into component parts for easier reading.